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In 1930, the Manila-based magazine Khaki and Red: The Official Organ of the Constabulary and Police printed an article about street gangs stating "another is the 'Kapatiran' gang of Intramuros, composed of patrons of pools rooms who banded together to 'protect pinoys' from the abusive American soldados." The desire to self-identify can likely be attributed to the diverse and independent history of the archipelagic country - comprising 7,107 islands in the western Pacific Ocean - which trace back 30,000 years before being colonized by Spain in the 16th century and later occupied by the United States, which led to the outbreak of the Philippine–American War (1899–1902).

The Philippines have over 170 languages indigenous to the area, most of which belong to the Malayo-Polynesian branch of the Austronesian language family. Quezon renamed the Tagalog language as the Wikang Pambansa ("national language").

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Pinoy is first used by Filipino poet Carlos Bulosan, in his 1946 semi-autobiography, America Is in the Heart - "The Pinoys work every day in the fields but when the season is over their money is in the Chinese vaults." In the early 1970s, Pinoy music or "Pinoy pop" emerged, often sung in Tagalog - it was a mix of rock, folk and ballads - marking a political use of music similar to early hip hop but transcending class.The word is formed by taking the last four letters of Filipino and adding the diminutive suffix -y in the Tagalog language (the suffix is commonly used in Filipino nicknames: e.g. Although Pinoy and Pinay are regarded as derogatory by some younger Filipino-Americans, the terms have been widely used and are in mainstream usage particularly among members of the Filipino masses and Filipino-Americans."Pinoy music" impacted the socio-political climate of the 1970s and was employed by both Philippine president Ferdinand Marcos and the People Power Revolution that overthrew his regime.Although the music was often used to express opposition to then Philippine president Ferdinand Marcos and his use of martial law and the creating of the Batasang Bayan, many of the songs were more subversive and some just instilled national pride.Perhaps because of the cultural affirming nature and many of the songs seemingly being non-threatening, the Marcos administration ordered radio stations to play at least one - and later, three - Pinoy songs each hour.

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