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Another problem with either the 24 3/4" or 25 1/2" scale-length instruments is that if somebody grew up on a short-scale guitar, they wouldn’t play a longer one and vice versa. And while he’s talking about measurements, Paul wants to clear the air on fretboard radiuses.

People think that old Les Pauls have a 12" fretboard radius—they don’t, because all the ones I’ve measured had a radius of 10".

We here at The Guitar Sanctuary have a long history with PRS guitars.

Geo was instrumental in helping to introduce Paul and his guitars to Texas and players from all over the country as part of the Dallas International Guitar Festival, dating back to PRS's introduction in 1985.

He has been telling me for nearly 30 years that one day my company would be good enough to make him a guitar [].

To get my first guitar off a piece of paper, it took me over three years of drawing and redrawing, cutting bodies, and then more drawing []. and you average the lines, the body shape that comes out looks god-awful.So it was an based decision, not a compromised guess.I’ve always been surprised at how well it worked—especially when I saw other companies building 25" scale fret-slotting machines.Thanks to all of your inquiries, we uncovered a few nuggets of the luthier’s personal and professional life that were previously kept under wraps. One door closes on a guitarist, the next opens for an award-winning guitar builder.I started making guitars because I wasn’t a good enough guitarist and I somehow viscerally understood how to build instruments. I thought I had a lot to offer, but the people around me, for the most part, didn’t think so.

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